16 Comments on $2.50 for an F-line ride?
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Who Needs to Fly?

Knowing that fans of San Francisco’s vintage streetcars have lots of related interests, we’ve been venturing a bit afield on this blog … last post was vintage amphibious vehicles. This time it’s toy trains in an airplane palace. That would be the International Terminal at SFO, where through early April there’s a great exhibit of toy trains spanning the 20th century, mostly Lionel, but with plenty of variety thrown in.

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Just DUCK-y

At Market Street Railway, we focus on historic rail vehicles, but there are plenty of other historic vehicles in San Francisco as well, and we celebrate all of them. One group of interest are the DUKW vehicles run by Bay Quackers. Universally referred to as Ducks instead of their military acronym, these are the World War II-era amphibious vehicles you see carrying tourists along The Embarcadero from Fisherman’s Wharf to Mission Bay, where they plunge into the water for a cruise.

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Monsters vs. Milan Tram

Did you see it during the Super Bowl? No, not the great plays on the field, the commercial for the upcoming animated film “Monsters Vs. Aliens”? We know the premise — scientists unleash monsters to battle an alien invasion — but what’s fascinating is a, uh, plot vehicle. Specifically, Milan tram No. 1811. Its another example of the growing visibility of the Milan trams as a San Francisco institution. We’ll have a story on that in the next issue of our member newsletter, Inside Track, which will go out to Market Street Railway members in early April. For now, enjoy the movie trailer, and feel free to speculate about what part No. 1811 might play in saving the world.

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Meet Me in St. Louis

Judy Garland’s great singing made the 1944 movie “Meet Me in St. Louis,” about the 1904 World’s Fair. The film debuted two original songs with enduring popularity. “The Trolley Song,” as in “Clang, clang, clang went the trolley…” and “Have Yourself a Merry Little Christmas,” now a part of the holiday music canon. The film also produced … Liza Minnelli, because Garland met her future husband, Vincente Minnelli, on the set (he was the director).

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